NEWS Programme 2016

AUG 17 TO SEPT 3
2016

News Programme 2016

AUG 17 TO SEPT 3
2016

AUG 17 TO SEPT 3
2016

NEWS Programme 2016

International
August 17, 2016 8 pm
Patron of Young Euro Classic: Michael Müller

Michael Müller_von SPD Seite_small

 The Governing Mayor of Berlin
Monika Grütters
© Christof Rieken

© Christof Rieken

Prof. Monika Grütters was born in Münster and studied German literature, art history and political sciences at the universities in Münster and Bonn. She gained professional experience by working for opera houses, in publishing and in the museum field before working for arts and culture programmes in major corporations. From 1998 to 2013 she was a board member for the foundation “Brandenburger Tor”. Since 1999 she has been an honorary professor of culture management at the Free University in Berlin.

Monika Grütters is First Associate Chairwoman of Berlin’s CDU. From 1995 to 2005 she was a member of the Berlin House of Representatives, where she was the CDU Faction’s spokeswoman for science and culture. Since 205 she has been a member of the German Parliament. During the past legislature period, Monika Grütters chaired the Committee on Culture and Media. In December 2013 she was appointed Minister of State and Federal Government Commissioner for Culture and the Media.

Federal Government Commissioner for Culture and the Media
Vasily Petrenko
Vasily Petrenko

© S. Tarlova

The Russian conductor Vasily Petrenko began his musical education at the St. Petersburg Conservatory, where he had such important teachers as Ilya Musin, Mariss Jansons and Yuri Temirkanov. Today the 40-year-old is not only chief conductor of the Oslo Philharmonic Orchestra and the Royal Liverpool Philharmonic Orchestra, but has also been chief conductor of the European Union Youth Orchestra since the autumn of 2015. At the same time, Petrenko is a sought-after guest conductor, appearing with many of the world’s most prestigious orchestras including the London Philharmonic, Philharmonia, Netherlands Radio Philharmonic, Vienna Symphony, Rundfunk Sinfonieorchester Berlin, Orchestre de la Suisse Romande, Sydney Symphony and Accademia Nazionale di Santa Cecilia, the Philadelphia Orchestra, Los Angeles Philharmonic, and the San Francisco and Chicago Symphony Orchestras. Petrenko is an active opera conductor, appearing at houses including the Bavarian State Opera of Munich, and the Zurich Opera, and has recorded a wide range of repertoire for CD, including the complete Shostakovich symphonies and works by Tchaikovsky, Rachmaninov, Scriabin, Elgar and Szymanowski.

Conductor
Katia und Marielle Labèque
Katia und Marielle Labèque

© Brigitte Lacombe

The French sisters Katia and Marielle Labèque are doubtlessly the most fascinating and successful piano duo of our times. For four decades, the two have given duo recitals in all the world’s great concert halls and appeared with major orchestras. They have worked with contemporary composers such as Luciano Berio, Olivier Messiaen and Osvaldo Golijov and with conductors representing historical performance practice, Giovanni Antonini, John Eliot Gardiner and Andrea Marcon among them. At the same time, the Labèques are continuously initiating new projects: in 2013 they realised The Minimalist Dream House, inspired by the concerts organized by La Monte Young at Yoko Ono’s New York loft in 1961. Together with her own rock band and the WDR Symphony Orchestra Cologne, Katia performed a concert featuring music of Hitchcock’s film composer Bernard Herrmann in 2014. In 2015 the sisters gave the world premiere of a new concerto by Philip Glass with the Los Angeles Philharmonic under Gustavo Dudamel. In 2005 they founded the Foundation Katia & Marielle Labèque in Rome, which is dedicated to interdisciplinary cooperation, but also offers young artists their own recording studio.

Piano

WOLFGANG AMADEUS MOZART

Piano Concerto for Two Pianos in E-flat Major K. 365 (316a) (1779)

GUSTAV MAHLER

Symphony No. 1 in D Major “The Titan” (1885-88)

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International
August 18, 2016 8 pm
John Neumeier
© Steven Haberland

© Steven Haberland

The US-American John Neumeier is among the most important choreographers of our times. As Ballet Director and Artistic Director of the Hamburg Ballet, he turned this company into one of Germany’s leading ones. John Neumeier won international acclaim for his combination of traditional ballet with new, contemporary forms. One of John Neumeier’s passions is the support and education of young talent. In 1978, he founded the Ballet School of the Hamburg Ballet. In 2011, John Neumeier took on the position of Artistic Director of the newly-founded National Youth Ballet. John Neumeier has been awarded the German Federal Cross of Merit twice and was named a Chevalier of the Legion of Honor in 2003. He already choreographed a ballet for Young Euro Classic in 2012, and in 2013 and 2014 the National Youth Ballet appeared at the Konzerthaus in two of his choreographies as well.

www.hamburgballet.de

Director of the National Youth Ballet, Choreographer
Kevin Haigen

© Yohan Stegli

Born in Miami, Kevin Haigen has worked as a dancer, choreographer, ballet teacher and ballet master. He trained at the School of American Ballet under George Balanchine, where he created his first choreographies. In 1976 Kevin Haigen joined the Hamburg Ballet, where he returned in 1991, after several international engagements, as company ballet master and ballet teacher. Ever since, he has assisted John Neumeier in the production of numerous ballets worldwide. Since the founding of the National Youth Ballet, Kevin Haigen has been its Artistic and Pedagogical Director.

Artistic and Pedagogical Director
Steven Walter

IMG_3615-330x220_Steven_WalterBorn in Nürtigen near Stuttgart in 1986, Steven Walter studied cello in Oslo and Detmold and lives in Berlin and Stuttgart. He is an enthusiastic chamber musician, a member of various formations, who enjoys playing in extraordinary situations and being involved in special orchestra projects. As a musician and creative spirit, he felt the urge to initiate his own projects early on. His ideas and undertakings met with broad enthusiasm; thus, he was nominated as one of three “Cultural Managers of the Year” in 2011, gives lectures at symposia and at academies, and has published widely on artistic and managerial subjects. Steven Walter is the initiator and artistic director of the PODIUM Festival – in 2008 he had the idea of starting his own festival; in 2009 the PODIUM Festival Esslingen took place for the first time.

Musical Concept
Aike Errenst

hf_errenstAike Errenst, a native of Hamburg, has a passion for piano accompaniment and chamber music, fields in which she won several “Jugend musiziert” awards on the national level. Even during her studies, she worked as a répétiteur at the Hamburg Academy of Music and Theatre. While studying piano with Tinatin Gambashidze, she intensified her focus on chamber music and piano duo, taking master courses with Grigory Gruzman and Tal & Grothuysen, among others. Her arrangements won her a scholarship from the European Choral Forum for Young Composers. As a songwriter and keyboarder, e.g. for her band project “Cuico”, she is also active in the popular music field. Since 2013 she has supported the National Youth Ballet as a pianist, arranger and composer and conceives and implements the sound for its choreographic creations.

Dramaturge
Johannes Fuchs

LF_Johannes Fuchs_webJohannes Fuchs is a theatre and music pedagogue. From 2002 to 2006 he developed concepts for staged and musical interpretation of operas together with Cecilia Zacconi at the Young Opera programme of the Stuttgart State Opera. Together, they developed children and youth projects, workshops and teacher training sessions to accompany all the productions of the Stuttgart State Opera, then directed by Klaus Zehelein. During the seasons from 2004 to 2006 he was also responsible for the project office of the Young Opera programme. There, he initiated the project “IMPULSE MusicTheatreDance”, which focused on special pedagogical and social needs at elementary and secondary schools; from 2006 onwards he continued this project at the Stuttgart State Theatre under Hasko Weber. Since 2011 he has been responsible for the children’s and youth programmes of the LUCERNE FESTIVAL in Switzerland.

Dramaturge

A Little Prince
Inside each of us, there is a little prince – the German National Youth Ballet, founded by John Neumeier, presents an evening of dance theatre capturing the poetic magic and gentle melancholy of The Little Prince in an inspired composition of its very own.

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Norway
August 19, 2016 8 pm
Juanjo Mena
Juanjo mena

© BBC Philharmonic Sussie-Ahlburg

The Spanish conductor Juanjo Mena has had a close connection with Norway since he held the position of principal guest conductor at the Bergen Philharmonic Orchestra from 2007 to 2013. Before that time, the Basque-born musician led the Bilbao Symphony Orchestra for many years. Since 2011, the 49-year-old has been chief conductor of the BBC Philharmonic in Manchester, and tours have taken them to China and South Korea, but also to Germany and Spain. Mena is also a sought-after guest at all the great orchestras in the USA, Scandinavia and France; in May 2016 he makes his debut with the Berlin Philharmonic with a French and Spanish programme. Mena’s CD productions also frequently feature Spanish and Spanish-speaking composers; thus, he has recorded works by de Falla, Turina, Montsalvatge and Ginastera. His broad repertoire, however, also includes Russian and American composers, Viennese classicism, Stravinsky, Strauss and Messiaen.

Conductor
Truls Mørk
Truls Mork

© Stéphane de Bourgies and Virgin Classics

Over the course of three decades, the Norwegian cellist Truls Mørk has not only conquered one of the foremost ranks among cellists worldwide, but also confirmed it consistently by outstanding achievements. Apart from his brilliant technique, the intensity of his interpretations is widely praised. The 55-year-old appears as a guest with the Berlin and the Vienna Philharmonic, in London, Paris and Tokyo and with the great American orchestras in New York, Boston, Cleveland and Los Angeles. Furthermore, Mørk has made a multitude of CD recordings; apart from the famous cello concertos of the 19th and 20th centuries, they feature works by Massenet, Miaskovsky, Prokofiev and the complete cello suites by Bach and Britten. Mørk has an insatiable curiosity about contemporary works: he has performed no less than 30 world premieres, including works by composers Einojuhani Rautavaara, Pavel Haas, Krzysztof Penderecki and Matthias Pintscher.

Cello

ØRJAN MATRE

„Resurgence“ (2011, German Premiere)

DMITRI SHOSTAKOVITCH

Cello Concerto No. 1 in E-flat-Major Op. 107 (1959)

HECTOR BERLIOZ

„Symphonie fantastique” op. 14 (1830)

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Latvia
August 20, 2016 8 pm
Andris Vecumnieks
© Kaspars Teilans

© Kaspars Teilans

The Latvian conductor Andris Vecumnieks, born in 1964, has headed the Orchestra of the Latvian Music Academy “Jazeps Vitols” since 2002. In addition, he is artistic director of the chamber orchestra “Sinfonia concertante” and is also responsible for the music education programme of the Latvian National Symphony Orchestra. Vecumnieks also teaches conducting at the Latvian Music Academy and has won renown as a composer. His numerous works include orchestral and choral works, chamber music and concerti for solo instruments, including the Latvian folk instrument kokle. As a conductor, Vecumnieks has appeared not only throughout the Baltic States, but also in Russia, Azerbaijan, Sweden and Germany. There, he has been invited repeatedly as a guest conductor to the Summer Academy at Pommersfelden Castle in Franconia during recent years.

Conductor
Andrejs Osokins

Andrejs-Osokins-sw_webLaureate of the world’s most prominent piano competitions, including the Leeds, Rubinstein in Tel Aviv, Long-Thibaud in Paris, Queen Elisabeth in Brussels, as well as the Audience Awardee of the 5th International German Piano Award – Andrejs Osokins is one of the most sought-after Latvian pianists. Andrejs Osokins grew up in Riga, where he also had his first lessons with his father at the Latvian Music Academy, and since 2004 has been living in London, where he graduated from the Royal Academy of Music. Since his participation in the IPF Masters Management he has played at major European concert halls such as Auditorium Verdi in Milan, two concerto performances at Berlin’s Philharmonie, a collaboration with Kremerata Baltica at the Alte Oper Frankfurt as a part of the festival International German Piano Award, a performance with the Latvian National Orchestra under the baton of Vladimir Fedoseyev. Andrejs Osokins’ repertoire spans Bach to Gershwin and features classics by Mozart and Beethoven, Chopin and Liszt, but also a copious amount of chamber music, from violin sonatas to piano quintets.

Piano
Georgijs Osokins
© Janis Romanovskis

© Janis Romanovskis

The 21-year-old Latvian pianist Georgijs Osokins caused an uproar at the 17th International Chopin Competition in Warsaw in October 2015 – although he didn’t even win! Still he was widely praised for his “extraordinary and unpredictable” interpretation of Chopin’s works, and ever since, he can take his pick among offers from concert presenters at home and abroad – including a tour of Japan in December 2015, concerts on three continents and future CD recordings. Osokins, a graduate of the Latvian Music Academy, hails from a family of pianists. His father Sergeijs, a professor at the Academy, continues to be his teacher; his brother Andrejs is also an internationally sought-after pianist. At the early age of ten, Georgijs Osokins made his debut as the soloist in a Mozart Piano Concerto with the Latvian National Symphony Orchestra; in 2009 he won the Scriabin Competition in Paris and in 2014 the Moscow Chopin Competition for Young Pianists.

Piano

ROLANDS KRONLAKS

“Under Pressure” (World Premiere)

SERGEY RACHMANINOV

Piano Concerto No. 2 in C-Minor Op. 18 (1901)

JANIS MEDINS

“Daina” in F-sharp-Major (1963, orch. 2015)

SERGEY RACHMANINOV

Piano Concerto No. 3 in D-Minor Op. 30 (1909)

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International
August 21, 2016 8 pm
Christoph Eschenbach
Christoph Eschenbach

© Eric Brissaud

Christoph Eschenbach has been closely associated with the Schleswig-Holstein Music Festival for almost two decades. Time and again, the pianist and conductor has rehearsed and performed fascinating programmes with the Festival Orchestra, whose chief conductor he has been since 2004 – their tours have regularly included Young Euro Classic. Since 2010 Eschenbach has also been the director of the National Symphony Orchestra and the Kennedy Center for the Performing Arts in Washington DC. The 75-year-old continues to appear on all the world’s major concert stages. During the 2015/16 season, he conducts in Germany in Hamburg, Leipzig and the Deutsches Symphonie-Orchester Berlin. Other appearances include London, Paris and Madrid as well as Hong Kong, Shanghai and Seoul. Together with the Vienna Philharmonic, he is preparing an extensive tour of Asia. Last but not least, Eschenbach continues to perform as a piano soloist and in song recitals with the baritone Matthias Goerne.

Conductor

JOSEPH HAYDN

Symphony No. 104 in D-Major Hob. I:104 (1795)

ANTON BRUCKNER

Symphony No. 9 in D-Minor WAB 109 (1887-1894, unfinished)

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Germany
August 22, 2016 8 pm

Alondra de la Parra

Alondra_dlp3_webBorn in New York City in 1980, the Mexican conductor received her early music education in Mexico before returning to the Manhattan School of Music at the age of 19, where she graduated with honours from the conducting class. At the early age of 23, Alondra de la Parra founded the Philharmonic Orchestra of the Americas (POA) as a platform for young musical talents from all the Americas. On the occasion of the bicentennial of Mexico, she recorded the album Mi alma mexicana (“My Mexican Soul”) with the POA and also presented its repertoire with the orchestra in Mexico City before a live audience of more than 100.000 and many millions more via worldwide TV. The conductor also champions music education programmes at public schools throughout Mexico. Apart from her numerous performances in Central and South America, Alondra de la Parra was invited to conduct in Japan and China, by the Orchestre de Paris, the London Symphony Orchestra and the Tonhalle Orchestra in Zurich. In Berlin, she has appeared several times on the podium of the Radio Symphony Orchestra Berlin. In 2016 she takes on the position of chief conductor of the Queensland Symphony Orchestra in Australia.

www.alondradelaparra.com

Conductor
Johannes Moser
© Manfred Esser Haenssler Classic

© Manfred Esser Haenssler Classic

At the age of 36, Johannes Moser is one of the world’s best cellists. A student of David Geringas, he had his breakthrough in 2002, when he won the international Tchaikovsky Competition in Moscow. Since then, he has appeared with leading orchestras on all continents; conductors he has worked with include Lorin Maazel, Mariss Jansons and Zubin Mehta as well as Christian Thielemann, Paavo Järvi and Gustavo Dudamel. One focus of his repertoire is contemporary music; Johannes Moser frequently performs on an electric cello, for which numerous works have been written specifically for him. These include Enrico Chapela’s Magnetar, which he premiered together with Gustavo Dudamel and his Los Angeles Philharmonic in 2012. Johannes Moser is particularly interested in young audiences, from kindergarten children to university students. Thus, most of his concert performances are linked with a school visit or master class.

www.johannes-moser.com

 Cello

LUDWIG VAN BEETHOVEN

Overture to “Coriolan” in C-Minor Op. 62 (1807)

ENRICO CHAPELA

“Magnetar”, Concerto for E-Cello and Orchestra (2011, German Premiere)

LUDWIG VAN BEETHOVEN

Overture to “Leonore” No. 3 in C-Major Op. 72b (1806)

CARLOS CHÁVEZ

“Horsepower Suite” (1926)

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Kazakhstan
August 23, 2016 8 pm
Aidar Torybaev

Aidar Torybaev_Dirigent_Bild_webThe Kazakh conductor Aidar Torybaev, born in 1964, was educated at the Almaty Conservatory and in Kiev, Ukraine, where he studied with Roman Kofman, among others. His life is still divided between these two countries: since 2011 he has been chief conductor of the Symphony Orchestra of the National University of the Arts in Astana, and with the beginning of the current season he was appointed chief conductor and artistic director of the State Symphony Orchestra of Kazakhstan. On the other hand, Torybaev is chief conductor of the Symphony Orchestra in Lviv in the Ukraine and a professor of conducting at the Tchaikovsky Music Academy in Kiev. The conductor has performed in Germany, the Netherlands, Portugal, Belgium, Japan, South Korea, Mexico and the USA, collaborating with prominent soloists such as Natalia Gutman, Alexander Lyubimov, Eliso Virsaladze and Liana Issakadze.

Conductor
Aiman Mussakhajayeva

Aiman Musskhajayeva_webThe Kazakh violinist Aiman Mussakhajayeva, born in 1958 in what was then Alma-Ata, is one of her country’s leading soloists. Trained during the Soviet era at the Tchaikovsky Conservatory in Moscow, she then returned to Kazakhstan, where she won great merit by helping to revive cultural activities in the country after the state’s independence. The musician was actively involved in founding the National University of the Arts in Astana, where she was appointed rector in 1998. Furthermore, she has been invited to lead workshops in Germany, Austrian and the USA and serves on the jury of numerous international violin competitions.

 Violin

AKTOTY RAIMKULOVA

“Tarlan”, Symphonic Poem (World Premiere)

ARAM KHACHATURYAN

Violin Concerto in D-Minor (1940)

ALKUAT KAZAKBAEV

“Tlep” (2001/2016, World Premiere of the orchestral version)

FRANZ SCHUBERT

Symphony No. 2 in B-flat-Major D.125 (1814/1815)

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International
August 24, 2016 8 pm
Nils Landgren
© Sebastian Schmidt

© Sebastian Schmidt

Nils Landgren is doubtlessly one of Europe’s most successful jazz musicians. Fans and observers of the 60-year-old Swede are already wondering whether his days might have more than 24 hours. Critics have nominated him as the hardest working man in show business. When “Mr. Redhorn,” the man with the red trombone, is not touring with his legendary band Funk Unit or other projects bearing his name, he works as a producer and talent scout or is found passing his know-how on to his students. In the German capital, he has made a name for himself as the artistic director of the JazzFest Berlin. It is not least his versatility which is admired in this musician, who began playing drums at the age of six and discovered the trombone for himself at 13: apart from hardcore jazz, he is devoted to Swedish folk music – or he might record romantic and idiosyncratic Christmas songs, as he did on his album Christmas With My Friends. In cooperation with Doctors without Borders, Nils Landgren’s Funk Unit supports a music education project for children and teenagers in one of the largest slums of Kenya’s capital city of Nairobi. After leading the successful “Young Euro Classic meets Jazz” projects for two years running, Nils Landgren returns in 2016 for its third edition.

www.nilslandgren.com

Trombonist and Singer
Ensemble Olivinn

Ensemble Olivinn_Sinem Altan_sw_webFour personalities are united the Berlin-based Ensemble Olivinn: apart from the composer Sinem Altan, it includes the singer Begüm Tüzemen, originally from Istanbul and living in Berlin since 2007, whose repertoire ranges from classical arias to jazz standards and international folk song arrangements. Then there is the Anatolian-born multi-instrumentalist Özgür Ersoy, who performs the duduk, baglama and ney in many formations, for example with pianist Fazil Say. The fourth musician is the percussionist Axel Meier from Berlin, equally virtuosic on timpani and darbuka, in salsa and Turkish folklore, on drum set and vibraphone. The Ensemble Olivinn stands for a very special sound, mixing traditional Turkish and Anatolian folk songs with classical European and contemporary works, which also include improvisation. In Berlin, the quartet has performed regularly in musical theatre works at the Maxim Gorki Theater, Ballhaus Naunynstraße and Atze Musiktheater.

olivinn.com

Ensemble
Sinem Altan
© Andre Wunstorf

© Andre Wunstorf

She is from Ankara and lives in Berlin: for the 30-year-old German-Turkish composer Sinem Altan, the dialogue between these two cultures is the central subject of her artistic work. Even as a young girl, she won first prizes as a pianist and composer in Turkey and Germany; she was accepted at the Music Academy Hanns Eisler as a junior student at the age of only 11. Later, she initiated the concert series “Yenilige Dogru – On the Road towards Novelty”, which later resulted in the founding of her ensemble Olivinn, which moves freely between European classical music, Turkish folk music and jazz. Sinem Altan’s activities are uncommonly broad-ranging: she has been composer-in-residence at the Neukölln Opera; she has set several stories about Keloglan, the Turkish equivalent of Till Eulenspiegel, for the Radio Symphony Orchestra Berlin (RSB); and for the Amsterdam Opera she composed a new version of Verdi’s Aida including a gospel choir and oriental percussion. In 2013 her Concerto for Baglama (Turkish lute) and Symphony Orchestra had its successful premiere at the Konzerthaus Berlin. In 2015 she won the European Composers Award at Young Euro Classic for her work Hafriyat – Earthwork.

Sinemaltan.com

Composer

An innovative and creative success story goes into its third year: Nils Landgren, the funk virtuoso, known all over the world as “Mr. Red Horn”, brings young jazz musicians to Berlin.

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Netherlands
August 25, 2016 8 pm
Antony Hermus
 © Marco Borggreve

© Marco Borggreve

Dutch conductor Antony Hermus is currently Artistic Advisor of the National Youth Orchestra of the Netherlands and Principal Guest of the North Netherlands Orchestra. He has guest-conducted orchestras such as the Philharmonia, Royal Concertgebouw, Rotterdam Philharmonic, Netherlands Radio Philharmonic, Bamberg Symphony, MDR Leipzig Symphony, and Orchestre de la Suisse Romande, and will soon debut with Royal Flemish Philharmonic, BBC Philharmonic and Seoul Philharmonic. He studied piano and conducting at the Tilburg Conservatory, becoming Music Director of the Theatre Hagen from 2007. From 2009 to 2015 he was Music Director of the Anhaltisches Theater in Dessau, where he was nominated for Conductor of the Year in Opernwelt magazine for three years in a row. He has guest-conducted operas in Stuttgart, Komische Oper Berlin, at the Opéra de Paris studio, Rennes and Dutch Reisopera; in 2016 he returns to the Komische Oper and makes his debut at Gothenburg Opera with Verdi’s Macbeth.

antonyhermus.com

Conductor
Hannes Minnaar
© Marco Borggreve

© Marco Borggreve

The Dutch pianist Hannes Minnaar studied at the Conservatory of Amsterdam and launched his career by winning prizes at the Piano Competition in Geneva (2008) and at the Queen Elisabeth Competition in Brussels (2010). In the meantime, the 32-year-old has performed as a soloist under renowned conductors such as Frans Brüggen, Herbert Blomstedt, Eliahu Inbal and Edo de Waart. His second CD, Bach Variations, was widely praised by the critics; Minnaar is currently working on a recording of the complete Beethoven Piano Concertos. He presents these concerts live with the Rotterdam Philharmonic Orchestra (Jiří Bělohlávek), the BBC Philharmonic (Juanjo Mena) and the London Philharmonic Orchestra (Manfred Honeck). A member of the award-winning Dutch Van Baerle Trio, the pianist is also a passionate chamber musician; in 2015 the piano trio gave 18 concerts as part of the series “Rising Stars”, including appearances in Vienna, Paris and London.

 Trombone

JOEY ROUKENS

“Chase” (2013, German Premiere)

JOHANNES BRAHMS

Piano Concerto No. 2 in B-Major Op. 83 (1881)

RICHARD STRAUSS

Suite from “Der Rosenkavalier” Op. 59 (1911/1944)

MAURICE RAVEL

“La Valse” (1920)

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International
August 26, 2016 8 pm
Cristian Mandeal
©

© Virgil Oprina

The Romanian conductor Cristian Mandeal, born in 1946, graduated from the Bucharest Music Academy before continuing his studies with Herbert von Karajan in Berlin and Sergiu Celibidache in Munich. From 1987 to 2009 he was chief conductor and general music director of the Bucharest Philharmonic. Apart from Romanian ensembles, he has led renowned orchestras all over Europe and was principal guest conductor of the Hallé Orchestra in Manchester until 2009 and of the Philharmonic Orchestra Copenhagen until 2013. During this time, he led more than 60 world premieres by Romanian and other composers. Mandeal is a tireless champion of the oeuvre of his compatriot George Enescu, whose complete symphonic works he has recorded on CD. During recent years, the 70-year-old conductor has dedicated much of his time to the establishment of the Romanian Youth Orchestra, with which he already appeared at Young Euro Classic in 2012 and 2014, and the Romanian National Symphony Orchestra.

 Conductor
Andrei Ionita
© Daniel Delang

© Daniel Delang

At the moment, Andrei Ionita is still a student with Jens-Peter Maintz at Berlin’s University of the Arts. Yet the 22-year-old is already well on his way to a great career: in June 2015 he won the 1st Prize at the prestigious Tchaikovsky Competition in Moscow – ever since, one invitation has been chasing the next, for example for concerts with Valery Gergiev in St. Petersburg, Munich, Baden-Baden and London. Ionita’s success was not a surprise, having already won 2nd Prizes at the ARD Competition in Munich and at the Grand Prix Emanuel Feuermann in Berlin in 2014. He was subsequently invited to the Kronberg Academy, where he gave concerts with Gidon Kremer and Christian Tetzlaff. Born in Bukarest, Andrei Ionita began playing the cello at the age of eight, moving to Berlin in 2012. He is a fellow of the German foundation “Musikleben” and plays a Rogeri cello built in 1671.

 Cello

GEORGE ENESCU

Suite No. 1 in C-Major Op. 9 (1903)

PJOTR I. TSCHAIKOVSKY

Variations on a Rococo Theme Op. 33 (1877)

SERGEI PROKOFIEV

“Romeo and Juliet” Suite Op. 64 (1936):
1. The Montagues and Capulets 2. Juliet, the Little Girl 3. Masks 4. Romeo‘s Farewell from Juliet 5. Tybalt’s Death 6. Romeo at Juliet’s Grave

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Bulgaria
August 27, 2016 8 pm
Lyubomir Denev Jr.
© Lora Nusheva

© Lora Nusheva

The Bulgarian conductor and composer Lyubomir Denev Jr., born in 1988, is the son of the well-known jazz pianist and composer of the same name. He studied conducting at the National Music Academy Pancho Vladigerov in Sofia. In the meantime, the 28-year-old has already conducted all the important symphonic orchestras of his country, including on tours to neighbouring countries such as Hungary, Serbia, Greece and Turkey. At the Ruse State Opera, he has conducted operas by Verdi and Donizetti and was also musical assistant during a production of Wagner’s Twilight of the Gods. Denev works regularly with the Sofia Session Orchestra, with which he records film soundtracks for producers in the USA, Great Britain, France and India. The conductor also devotes much of his time to educating young musicians: he is one of the founders of the Balkan Youth Symphony Orchestra. He has been chief conductor of the National Bulgarian Youth Orchestra “Pioneer Youth Philharmonic” since 2010.

Conductor
Svetlin Roussev

Svetlin Roussev IMG_4075_webThe French-Bulgarian violinist Svetlin Roussev was born in Ruse, Bulgaria, in 1976, and lives in Paris today, where he is concertmaster of the Philharmonic Orchestra of Radio France and professor of violin at the Conservatory. At the same time, he is an active soloist and chamber musician; Roussev has also recorded a multitude of CDs, including works by the most important Bulgarian composer, Pancho Vladigerov. In Bulgaria he was honoured as “Musician of the Year” in 2006. Svetlin Roussev plays the Stradivarius 1710 “Camposelice” violin kindly loaned by the Nippon Music Foundation.

Violin
Emilia Baranowska
© Christophe Gateau

© Christophe Gateau

The French-Bulgarian cellist Emilia Baranowska, born in Sofia in 1948, studied in her hometown and in Paris as well as the Juilliard School in New York. From there, she launched her international career, which has taken her to the USA, Mexico and Canada, Israel and China, among others. In Paris, Baranowska worked with renowned composers such as George Zamfir, Vahtang Kachidze and William Bolcom, performing numerous world premieres. At the same time, the cellist is a pedagogue teaching in France, in Bulgaria and at numerous master courses. Since 2010 Emilia Baranowska has lived in Berlin.

Cello

VINCENT D'INDY

Song for Cello and Orchestra Op. 19 (1884)

CAMILLE SAINT_SAËNS

Allegro Appassionato for Cello and Orchestra Op. 43 (1876)

PETKO STAYNOV

“Rachenica” from “Thracian Dances” (1925-26)

PANTSCHO VLADIGEROV

Song for Violin Op. 21 (1951)

PANTSCHO VLADIGEROV

Bulgarian Rhapsody “Vardar” for Violin and Orchestra Op. 16 (1922/orch. 1928)

ANTONIN DVOŘÀK

Symphony No. 9 in E-Minor Op. 95 “From the New World” (1893)

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International
August 28, 2016 from 11 am on
11 h Andrejs Osokins

Andrejs Osokins Farbe_webLaureate of the world’s most prominent piano competitions, including the Leeds, Rubinstein in Tel Aviv, Long-Thibaud in Paris, Queen Elisabeth in Brussels, as well as the Audience Awardee of the 5th International German Piano Award – Andrejs Osokins is one of the most sought-after Latvian pianists. Andrejs grew up in Riga, where he also had his first lessons with his father at the Latvian Music Academy, and since 2004 has been living in London, where he had graduated the Royal Academy of music. Since his participation in the IPF Masters Management he plays on important European concert halls such as Auditorium La Verdi in Milan, two Concerto performances in Berliner Philharmonie, collaboration with Kremerata Baltica orchestra in Alte Oper Frankfurt as a part of  Festival International German Piano Award, performance with Latvian National Orchestra under the button of Maestro Vladimir Fedoseyev, as well as performance of Rachmaninov 3rd Piano Concerto in Qatar Cultural village  with Maestro Pablo Mielgo. Andrejs’ repertoire spans Bach to Gershwin and features classics by Mozart and Beethoven, Chopin and Liszt, but also a copious amount of chamber music, from violin sonatas to piano quintets.

www.andrejsosokins.com

JOHANN SEBASTIAN BACH
Prelude in E-flat-Minor and Fugue in D-sharp-Minor from “Das Wohltemperierte Klavier” BWV 853 (1722)
LUDWIG VAN BEETHOVEN
Piano Sonata No. 23 in F-Minor Op. 57 “Appassionata” (1805)
FRANZ LISZT
“Petrarch Sonnet No. 104” and “Dante-Sonata” from “Années de pèlerinage” S. 161 (1849)
13 h Wataru Hisasue

Wataru Hisasue 2_webVersatility is one of the outstanding characteristics of the Japanese pianist Wataru Hisasue, who won the Mendelssohn Competition in Berlin this past January. The programme he has assembled for his performance at the Young Euro Classic Piano Festival is also versatile: it starts with a spirited Piano Sonata by Joseph Haydn, immediately contrasted by the Variations Op. 27 composed by Anton Webern following the rules of twelve-tone technique in 1936. These are followed by two very special pianistic highlights: Sergey Prokofiev’s Piano Sonata No. 7, written in the midst of World War II, offers a bravura synopsis of the Russian composer’s style. And Franz Liszt’s brilliant Rigoletto Paraphrase proves how much song is contained in a piano on its own!

JOSEPH HAYDN
Sonata in B-Minor Hob.XVI:32 (1776)
ANTON WEBERN
Variations Op. 27 (1936)
FRANZ LISZT
Concert Paraphrase on “Rigoletto” S.434 (1859)
SERGEY PROKOVIEV
Piano Sonata No. 7 in B-flat-Major Op. 83 (1942)
15 h Yoonhee Yang
© Edith Michel

© Edith Michel

The South Korean pianist Yoonhee Yang delves into Franz Schubert’s pianistic world when she appears at the piano festival at Young Euro Classic: the centrepiece is the grand Sonata in A-Major D. 959, written in 1828, the year of Schubert’s death. It is a wonderwork of melodious inventiveness and harmonious nuances, with dramatic peaks in the slow movement and a Viennese-inflected scherzo movement. As an introduction, Yoonhee Yang has selected two songs from Schubert’s cycle Die schöne Müllerin – in arrangements by Franz Liszt, who illuminated the songs anew with the sophistication of his piano writing.

FRANZ LISZT
“The Miller and the Borok” and “Where to?” from “Müller Songs by Franz Schubert” S. 565 (1846)
FRANZ SCHUBERT
Piano Sonata No. 20 in A-Major D.959 (1828)
17 h Filippo Gorini
© Dan Hannen

© Dan Hannen

The Italian Filippo Gorini advanced a major step on the career ladder last year, when he won the International Telekom Beethoven Competition in Bonn – the youngest of all the 150 contestants. Aged only 20, he convinced the jury mainly with his interpretation of Beethoven’s late piano works; in addition, Gorini also won two audience awards. Born near the Northern Italian town of Monza, young Filippo received his first piano lessons at the age of six. He has been studying with Maria Grazia Bellocchio at the Conservatory Gaetano Donizetti in Bergamo since 2009. Concert invitations have already taken the pianist to many Italian cities and to Moscow, Warsaw and London. In March 2016 he was on tour in Germany with the Klassische Philharmonie Bonn, appearing in Munich, Nuremberg, Hanover, Hamburg and Bremen, among others.

www.filippogorini.it

LUDWIG VAN BEETHOVEN
33 Variations on a Waltz by Diabelli in C-Major Op. 120 (1823)

Finally, the Piano Festival is back! Young and award-winning: selected winners of recent international piano competitions introduce themselves.

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International
August 28, 2016 8 pm
Philippe Jordan
© Johannes Ifkovits

© Johannes Ifkovits

The Swiss conductor Philippe Jordan dedicates himself to opera and concerts with equal intensity. This is reflected by his positions as chief conductor as well: the 41-year-old is music director of the Paris Opera with its two houses and chief conductor of the Vienna Symphonic Orchestra, the latter since 2015. Jordan has a close connection with Berlin: his career began here in 1998 as Daniel Barenboim’s assistant at the State Opera Unter den Linden; today he is a regular guest conductor of the Deutsches Symphonie-Orchester. Jordan has conducted at the opera houses of London, New York and Milan and at the festivals in Aix-en-Provence, Glyndebourne and Bayreuth (Parsifal, 2012). At the Paris Opera he recently led such different operas as La Damnation de Faust (Berlioz), Le Roi Arthus (Chausson) and Moses und Aron (Schoenberg). Together with the Orchestra of the Paris Opera he has performed the complete symphonies of Beethoven and the complete Schubert symphonies with the Vienna Symphonic Orchestra.

www.philippe-jordan.com

Conductor
Christian Gerharer
© Jim Rakete

© Jim Rakete

The baritone Christian Gerhaher, born in Straubing in Bavaria in 1969, is one of the most sought-after song recitalists of our times and performs on all the major concert stages in Germany and abroad. His recordings with his regular piano partner Gerold Huber range from Beethoven, Schubert and Schumann to Mahler, Wolf and Alban Berg. He has recorded Bach’s Passions and Schumann’s oratorio Das Paradies und die Peri and Szenen aus Goethes Faust. At the Berlin Philharmonic, Gerhaher became the first singer ever to be named “Artist in Residence” during the 2013/14 season. In December 2015 he appeared in a semi-staged production of Debussy’s Pelleas et Mélisande under Sir Simon Rattle with the Berlin Philharmonic. Apart from the role of Pelleas, Gerhaher, who consciously limits his opera appearances, has won great acclaim in the roles of Papageno, Don Giovanni, Wolfram and most recently Wozzeck. His second opera recital on CD appeared last autumn: entitled Mozart Arias and featuring the Freiburg Baroque Orchestra, the baritone also toured it in live performances which included Barcelona, Stockholm, Vienna, Budapest and New York.

www.gerhaher.de

Baritone

JOHANN SEBASTIAN BACH

Solo Cantata für Baritone „Ich habe genug“ BWV 82 (1727)

GUSTAV MAHLER

Symphony Nr. 9 in D-Major (1910)

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Russia
August 29, 2016 8 pm
Anton Schaburov

Schaburow_WebseiteThe Russian conductor Anton Shaburov, born in Yekaterinburg in 1983, graduated from the Mussorgsky Conservatory in his hometown in 2008 with a conducting degree, going on to study at the State Conservatory in Moscow under Gennady Roshdestvensky. In 2013 Shaburov won the Ilya Musin Conducting Competition and one year later the competition in Budapest. As early as 2009 he took on the position of chief conductor of the Globalis Symphony Orchestra in Moscow; he added the Symphony Orchestra of the Mussorgsky Conservatory in Yekaterinburg to his portfolio in 2011. In the meantime, Shaburov looks back on 40 different concert programmes, with no lack of world premieres between them. In addition, he has conducted opera productions such as Puccini’s Gianni Schicchi, Orff’s Die Kluge, as well as Mavra and The Nightingale by Stravinsky.

Conductor
Alexander Mitinsky

Alexander Mitinsky Photo 1_webThe Russian violist Alexander Mitinsky, born in 1984, received his first violin lessons at the famous Gnessin Music School in his native city of Moscow. After graduating with success, the 16-year-old transferred to the Gnessin Music Academy, where he studied viola with Eugen Stoklitskaya, Yuri Yurov and the principal violist of the Rudolf Barshai Chamber Orchestra, Vyacheslav Trushin. His repertoire includes works from the baroque period to contemporary music. Mitinsky has performed with numerous orchestras, string quartets and chamber music ensembles; his musical partners have included Michail Pletnev, Justus Frantz, Julian Rachlin and Misha Maisky. Since 2010 the violist has also given master classes in Italy, Canada and the USA.

Viola

MODEST MUSSORGSKY

Concert Fantasy “A Night on Bald Mountain” Op. posth. (1872-1880)

JURY ABDOKOV

„Nunc dimittis“ for Viola and Orchestra, in memoriam Rudolf Barshai (World Premiere)

NIKOLAY RIMSKY-KORSAKOW

“Russian Easter” Op. 36 (1888)

PIOTR I. TSCHAIKOVSKY

Symphony No. 6 in B-Minor Op. 74 “Pathétique” (1893)

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International
August 30, 2016 8 pm

Heiner Buhlmann

Heiner Buhlmann (Foto privat)_webOriginally from Bremen, Heiner Buhlmann (b. 1947) studied piano, organ, oboe, composition and conducting. After completing his studies, he decided to dedicate himself to supporting young musicians, becoming the director of the Bremen Music School. In 1980 he founded the Bremen Youth Symphony Orchestra, which he conducted for 32 years, until his retirement in 2012. In 1982 the Oldenburg University Orchestra and the Bremen Youth Sinfonietta followed, and in 1999 the International Youth Symphony Orchestra Bremen, uniting 200 young musicians from 23 countries. Buhlmann undertook numerous concert tours through Europe and other continents with these ensembles. The conductor has had a close working relationship with Fawzy El-Shamy and the Arab Youth Philharmonic Orchestra for many years. Furthermore, he has given school and family concerts with the Bremen Philharmonic and, together with his wife Helga Warner-Buhlmann, school concerts with the Tonhalle Orchestra Zurich.

Conductor
Gala El Hadidi

El Hadidi 1The mezzo-soprano Gala El Hadidi is a native of Cairo, where she also attended the German School. Directly after graduating from high school, she was engaged by the Cairo Opera House, where she appeared in smaller roles in operas including Mascagni’s Cavalleria rusticana, Menotti’s The Medium and Weill’s Threepenny Opera. In addition to singing, she studied philosophy, English and comparative literature at the American University. Later, she moved on to Yale University in the USA and also attended master classes with Marilyn Horne, Teresa Berganza and Francisco Araiza. In the meantime, the 33-year-old singer can look back on a highly successful career: since 2010 she has been an ensemble member at the Semper Opera in Dresden, first as part of the Young Ensemble, now in the regular ensemble. Here, Gala El Hadidi has performed very different roles, such as Rosina in The Barber of Seville, Prince Orlofsky in Die Fledermaus and Cherubino in The Marriage of Figaro. She was particularly acclaimed for her portrayal of Bizet’s Carmen, a role which was also the subject of her Master’s degree thesis.

Mezzo Soprano

AMIR KHALAF

Orchestra Piece (World Premiere)

GEORGES BIZET

“Habanera” and “Seguidilla” from “Carmen” (1875)

ALI OSMAN

“Fusion” (2007, German Premiere)

CAMILLE SAINT SAËNS

“Mon cœur s’ouvre à ta voix” from “Samson et Delilah” (1877)

JOHANNES BRAHMS

Symphony No. 2 in D-Major Op. 73 (1877)

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Estonia
August 31, 2016 8 pm
Paul Mägi
© Stewen Quigley

© Stewen Quigley

The 62-year-old Estonian Paul Mägi looks back upon several decades of a successful career as a concert and opera conductor, making him one of the central figures in his country’s musical life. He founded the Estonian Radio Chamber Orchestra as early as 1978, going on to conduct the Estonian National Opera and becoming chief conductor of the Latvian National Symphony Orchestra. As a guest conductor, he is active mainly in Sweden and other Scandinavian countries, but has also conducted renowned orchestras in Germany, Switzerland, France and the USA. Since 2011 Paul Mägi has been music director at the oldest theatre in Estonia, the Vanemuine Theatre in Tartu, where he has conducted operas such as Carmen, Werther and Eugene Onegin, but also new productions of operas by Eduard Tubin and Tauno Aints. Paul Mägi already conducted the Symphony Orchestra of the Estonian Music Academy during its last performance at Young Euro Classic in 2005.

Conductor
Marrit Gerretz-Traksmann
© Mait Jüriado

© Mait Jüriado

The Estonian pianist Marrit Gerretz-Traksmann is one of her country’s most important chamber musicians. She has performed all over Europe, mainly with the Trio New Tallinn, and also celebrated her US debut with a programme of her compatriot Erkki-Sven Tüür in 2011. Educated at the Estonian Academy of Music and at the Sibelius Academy in Helsinki, Marrit Gerretz-Traksmann has also performed as a soloist with the Estonian National Symphony Orchestra, the NDR Radio Philharmonic and the Prague Radio Symphony Orchestra. She has participated in music productions of the Estonian Radio and in several CD productions, where she took on the piano part in vocal works by her compatriots Veljo Tormis (Litany to Thunder), Toivo Tulev and Erkki-Sven Tüür (Oxymoron).

Piano

LISA HIRSCH

New Work (World Premiere)

ARVO PÄRT

“Lamentate” (2002)

EDUARD TUBIN

Symphony No. 2 in B-Minor “The Legendary” (1937)

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September 1, 2016 6 pm

Dr. Dieter Rexroth

Dieter Rexroth is considered one of the most creative minds on the German music scene today. From 1996 to 2006 he was artistic director and dramaturge of the Radio Orchestras and Choruses GmbH and the Deutsches Symphonie Orchester in Berlin, a capacity in which he invited the conductor Kent Nagano to Berlin, who has since become a world-renowned artist and whose concert programmes he still designs today. In addition, Dieter Rexroth has been the artistic director of Young Euro Classic since its inception in 2000, making him one of the fathers of the extremely successful festival which takes place for the sixteenth time in 2015. Further career highlights were the directorship of the Paul Hindemith Institute in Frankfurt as well as positions as dramaturge and chief programmer for Frankfurt’s Alte Oper. He was also artistic director of the “Frankfurter Feste” (1986 to 1994) and has been responsible for the “Kassel Music Days” in the same position since 2006. Furthermore, he has taken on the unsalaried responsibility for the “Felix Mendelssohn Music Academy Competition” held by the German Music Academies and the Prussian Cultural Heritage Foundation.

Artistic Director of Young Euro Classic

At the festival Young Euro Classic the Mayor of Berlin presents the European Composer Award to the most deserving candidate.

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Germany
September 1, 2016 8 pm
Wolfgang Hentrich
© Marco Berggreve

© Marco Berggreve

As chief conductor of the German String Philharmonic, Wolfgang Hentrich draws upon his many years of experience as an orchestral violinist. Since two decades, the 50-year-old has held the position of first concertmaster of the Dresden Philharmonic Orchestra; before he was appointed to the same position at the Robert Schumann Philharmonic Orchestra in Chemnitz at the age of only 21. Following the model of the legendary Viennese concertmaster Willi Boskovsky, Hentrich conducted numerous New Year’s Concert with both orchestras since 1999. He also leads the Philharmonic Chamber Orchestra Dresden, holds an honorary professorship at the Dresden Music Academy and dedicates himself with particular enthusiasm to special programmes for children. Among his CD recordings, orchestral works by Johann Strauß, Mozart’s Violin Sonatas and compositions by Paganini for violin and guitar stand out. In August 2013, Hentrich became Michael Sanderling’s successor as chief conductor of the German String Philharmonic.

Conductor
Yura Lee

Yura Lee 1428 colorsmall_webA native of Korea, Yura Lee loves her “double life”: she performs both as a violinist and violist. And she divides her time between the USA and Germany. In the USA, where she grew up from 1994 onwards, she made her Carnegie Hall debut at the age of 14, and in 2003 Lorin Maazel invited her to perform on a summer tour of the New York Philharmonic. In 2008 Yura Lee won the Leopold Mozart Competition in Augsburg; this was followed by further prizes, e.g. in 2009 at the Joseph Joachim Competition in Hanover and in 2013 at the ARD Competition in Munich (1st Prize in the viola category). A sought-after soloist and chamber musician, she has performed at the greatest festivals, such as Salzburg, Verbier, Ravinia and Marlboro. Her chamber music partners include András Schiff, Gidon Kremer, Leonidas Kavakos and Mitsuko Uchida. In 2008 Yura Lee recorded the CD Mozart in Paris with Reinhard Goebel and the Bavarian Chamber Philharmonic. In 2014 she was appointed professor at the Carl Maria von Weber Music Academy in Dresden.
www.yuralee.com

Viola

WOLFGANG AMADEUS MOZART

Divertimento (“Salzburg Symphony” No. 3) in F-Major K. 138

GUSTAV MAHLER

Adagietto from Symphony No. 5 (1904)

HENRI CASADESUS

Viola Concerto in the style of Johann Christian Bach in C-Minor (1947)

JOSEF SUK

String Serenade in E-flat-Major Op. 6 (1892)

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Mexico
September 2, 2016 5 pm
Sergio Cárdenas
© A. Cárdenas

© A. Cárdenas

The Mexican conductor Sergio Cárdenas has been a professor at the National University of Mexico (UNAM) in Mexico City since 2005, and he is also the artistic director of the Symphony Orchestra of the Music Faculty. In 2015 he was charged with establishing a chair for conducting at UNAM. Born in Ciudad Victoria in 1951, he studied choral conducting at Westminster Choir College in Princeton, New Jersey (USA) and orchestral conducting at the Mozarteum in Salzburg. There, Cárdenas also conducted the music academy’s orchestra before his further career took him to many countries in Europe and Latin America, but also Egypt and Taiwan. For several years, Cárdenas has also been a successful composer, for example with the work The Flower is a Key (A Rap for Mozart), which was commissioned by the 12 Cellists of the Berlin Philharmonic and has also been recorded on CD – with Sir Simon Rattle taking the role of the rapper.

Conductor
Alan Pingarrón
© G. Pérrez

© G. Pérrez

Born in Mexico City in 1987, the tenor Alan Pingarrón began his vocal studies in 2003 at the UNAM Music Faculty in his hometown. He won several competitions, for example the Francisco Araiza Competition and the opera competition “Las voces del Bicentenario” (The Voices of the Bicentennial). Pingarrón has performed with all the major orchestras and all renowned classical music festivals in Mexico. His repertoire includes the tenor parts in sacred works such as the Mozart Requiem, the Verdi Requiem and Handel’s Messiah to opera roles by Mozart, Donizetti and Puccini.

Tenor
Luis Gerardo Villegas
© JMP Walle

© JMP Walle

As an artist, Luis Gerardo Villegas is at home in various genres: he works as an orchestral and choral conductor, performing with various ensembles in North and Central America, but also in China. In addition, he is a stage director, for example as artistic director for several Disney productions. Last but not least, he is also active as a percussionist and – mainly in collaboration with Sergio Cárdenas – as a “symphonic rapper”.

Rapper

The Orquesta Sinfónica “Estanislao Mejía” (Mexico) offers a public dress rehearsal with excerpts from its evening programme. The rehearsal will be moderated by orchestra’s chief conductor Sergio Cárdenas.

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Mexico
September 2, 2016 8 pm
Sergio Cárdenas
© A. Cárdenas

© A. Cárdenas

The Mexican conductor Sergio Cárdenas has been a professor at the National University of Mexico (UNAM) in Mexico City since 2005, and he is also the artistic director of the Symphony Orchestra of the Music Faculty. In 2015 he was charged with establishing a chair for conducting at UNAM. Born in Ciudad Victoria in 1951, he studied choral conducting at Westminster Choir College in Princeton, New Jersey (USA) and orchestral conducting at the Mozarteum in Salzburg. There, Cárdenas also conducted the music academy’s orchestra before his further career took him to many countries in Europe and Latin America, but also Egypt and Taiwan. For several years, Cárdenas has also been a successful composer, for example with the work The Flower is a Key (A Rap for Mozart), which was commissioned by the 12 Cellists of the Berlin Philharmonic and has also been recorded on CD – with Sir Simon Rattle taking the role of the rapper.

Conductor
Alan Pingarrón
© G. Pérrez

© G. Pérrez

Born in Mexico City in 1987, the tenor Alan Pingarrón began his vocal studies in 2003 at the UNAM Music Faculty in his hometown. He won several competitions, for example the Francisco Araiza Competition and the opera competition “Las voces del Bicentenario” (The Voices of the Bicentennial). Pingarrón has performed with all the major orchestras and all renowned classical music festivals in Mexico. His repertoire includes the tenor parts in sacred works such as the Mozart Requiem, the Verdi Requiem and Handel’s Messiah to opera roles by Mozart, Donizetti and Puccini.

Tenor
Luis Gerardo Villegas
© JMP Walle

© JMP Walle

As an artist, Luis Gerardo Villegas is at home in various genres: he works as an orchestral and choral conductor, performing with various ensembles in North and Central America, but also in China. In addition, he is a stage director, for example as artistic director for several Disney productions. Last but not least, he is also active as a percussionist and – mainly in collaboration with Sergio Cárdenas – as a “symphonic rapper”.

Rapper

JOHANNES BRAHMS

Academic Festival Overture in C-Minor Op. 80 (1881)

AMILCARE PONCHIELLI

“Cielo e mar”, Aria from “La Gioconda” (1876)

UMBERTO GIORDANO

“Come un bel dì di Maggio”, Romance from “Andrea Chénier” (1896)

GIACOMO PUCCINI

“E lucevan le stelle”, Aria from “Tosca” (1900)

JUVENTINO ROSAS

Waltz “Sobre las Olas” (1888, arr. Manuel Enríquez)

MARIO TALAVERA

“Gratia plena” (1926, arr. Sergio Cárdenas)

ALFONSO ESPARZA OTEO

“Dime que sí” (1936)

SERGIO CÁRDENAS

Rap for Mozart “The Flower is a Key” (2005)

CANDELARIO HUÍZAR

Symphony No. 4 “Cora” (1942, German Premiere)

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International
September 3, 2016 5 pm
Viviane Hagner
© Timm Kölln

© Timm Kölln

Viviane Hagner, the artistic director of Krzyżowa-Music, is among the most high-profile musicians of her generation. Since her debut with the Israel Philharmonic Orchestra under Zubin Mehta at the age of 13, she has made guest appearances with the world’s greatest orchestras, including the Berlin Philharmonic, the New York Philharmonic, the Chicago Symphony Orchestra and the Leipzig Gewandhaus Orchestra. She appears regularly at the Marlboro Music Festival and has been “artist in residence” at the Berlin Konzerthaus and “prize-winner in residence” at the Mecklenburg-Vorpommern Festival.  From 2009 onwards she was appointed professor of violin at Berlin’s University of the Arts; since 2013 she has held the same position at the Mannheim Music Academy.

Artistic Director und Violin
Pablo Barragán

Pablo Barragan_webThe young Spanish clarinettist Pablo Barragán won not only the Prix Credit Suisse Jeunes Solistes in 2013, but also international awards such as the ARD Music Competition in 2012. Since 2007 Pablo Barragán has been a member of the West-Eastern Divan Orchestra, working with Maestro Daniel Barenboim. Pablo Barragán studied with Antonio Salguero at the Conservatorio Superior de Música Manuel Castillo in Seville, and with Matthias Glander via the Barenboim-Said Foundation. Today he holds a scholarship from the Caja Madrid Foundation and studies with François Benda at the Music Academy in Basel.

 Clarinet
Torleif Thedéen
© Tony Sandin

© Tony Sandin

The Swedish cellist Torleif Thedéen has performed as a soloist with almost all the world’s major orchestras over the course of the past 25 years; as a passionate chamber musician, he has also graced the stages of the most important concert halls and appeared at such renowned festivals as the ones in Schleswig-Holstein, Salzburg, Utrecht, Dubrovnik, Helsinki, Kuhmo, Bath, Bordeaux, the Prague Spring Festival and the Verbier Festival. He has recorded the complete cello works by Schnittke, Britten’s three Solo Suites as well as the cello concertos by Dvořák, Lalo, Schumann, Elgar, Saint-Saëns, Kabalevsky, Bloch, Kokkonen, Shostakovich, Lutosławski and Penderecki for various labels. His recording of the Solo Suites by Johann Sebastian Bach has been acclaimed worldwide (e.g. BBC “Editor’s Choice”).

Cello
Ania Filochowska

Ania Filochowska_web_1The 21-year-old Polish violinist Ania Filochowska is currently a student at the Curtis Institute in Philadelphia, where Aaron Rosand and Pamela Frank are her teachers. She gave her solo debut at the early age of 10 with the Rybnik Symphony Orchestra in Poland, and ever since she has made guest appearances with many orchestras worldwide. At the age of 15 Ania Filochowska played for Zubin Mehta at Avery Fisher Hall in New York. As a chamber musician, she has worked together with Men-Chieh Liu, Paul Katz and Ralph Kirschbaum; she also enjoys making music with her brother Piotr, who is also a student at the Curtis Institute of Music.

Violin
Adam Golka

Adam Golka_neuThe outstanding young pianist Adam Golka has Polish-American roots. He has performed with numerous orchestras and given solo recitals at renowned concert halls such as New York’s Lincoln Center and the Concertgebouw in Amsterdam. He first studied the piano with his mother Anna Golka and Dariusz Pawlas. He later studied with José Feghali, one of his most influential teachers, as Golka himself points out. At the Peabody Conservatory Adam studied with Leon Fleischer. Today he is artist-in-residence at the College of the Holy Cross in Worcester, Massachusetts.

 Piano
Eleanor Kendra James

Eleanor Kendra James_webOriginally from Vancouver, the young violist Eleanor Kendra James began playing the violin at age four and switched to the viola when she was 14. She studied with Paul Coletti at the renowned Colburn School in Los Angeles and later with Ettore Causa at Yale University. After winning the first prize at the “Shean String Competition” in Edmonton, she appeared as a soloist with numerous American symphony orchestras. A passionate chamber musician, she has performed with such outstanding partners as Ani Kavafian and Paul Neubauer and was coached by Michael Tree, Pinchas Zukerman and Alfred Brendel. She has participated in many major summer festivals in America, Europe and China, for example the Zermatt Festival, the Menuhin Festival in Gstaad, the Sarasota Music Festival, Music@Menlo and Krzyżowa-Music. She is currently completing her studies with Nils Mönkemeyer in Munich.

Viola

SERGEI PROKOFJEW

“Ouverture on Hebrew Themes“ Op. 34 (1919)

KRZYSZTOF PENDERECKI

Quartet for Clarinet, Violin, Viola and Cello (1993)

IGOR STRAWINSKY

Suite for Clarinet, Violin and Piano from “L’Histoire du soldat” (1917/1919)

JOHANNES BRAHMS

Piano Quintet in F-Minor, Op. 34 (1865)

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France
September 3, 2016 8 pm
David Zinman
© Priska Ketterer

© Priska Ketterer

The American conductor David Zinman is a perfect example for the fact that one can tackle new experiences and challenges even at an advanced age: this year, he turns 80 – and has only been the new chief conductor of the Orchestre Français des Jeunes since 2015. In addition he regularly conducts all over Europe and the USA; this season his performance schedule includes renowned orchestras in Los Angeles, Chicago and Montréal, in Scandinavia and the Orchestre de Paris. Zinman regularly appears in Berlin as a guest conductor of the Deutsches Symphonie-Orchester. The conductor maintains a special relationship with the Tonhalle Orchestra in Zurich, whose chief conductor he was for 19 years, from 1995 to 2014. A box set of 50 CDs, recently released, documents the conductor’s broad repertoire, from classical works to the complete orchestral oeuvres of Strauss and Mahler. His Beethoven cycle with the Tonhalle Orchestra won multiple awards. Another focus of his activities is on American composers, such as Bernstein, Michael Torke, Ferde Grofe, Gershwin and Barber.

Conductor
Gautier Capuçon
© Gregory Batardon

© Gregory Batardon

At the age of 34, the French cellist Gautier Capuçon is one of the world’s most sought-after soloists and is regularly invited by the world’s most prestigious orchestras. The list of conductors he has collaborated with ranges from Semyon Bychkov, Gustavo Dudamel and Charles Dutoit to Christoph Eschenbach, Bernard Haitink and Andris Nelsons. At the same time, Capuçon, who plays a valuable cello built by Goffriller in 1701, is an enthusiastic chamber musician who performs not only with his brother, the violinist Renaud, but also with artists such as Daniel Barenboim, Martha Argerich, Jean-Yves Thibaudet and the Artemis Quartet. His CD recordings also reflect his broad range of interests. In addition to the great solo concertos, he has recorded works by Prokofiev, Britten, Carter and most recently Beethoven’s complete cello sonatas. Together with the Louis Vuitton Foundation, Capuçon founded a “classe d’excellence” in Paris in 2014, where he provides intensive training for young cellists over an extended period.

www.gautiercapucon.com

Cello

CLAUDE DEBUSSY

„Marche écossaise” (1891/1908)

HENRI DUTILLEUX

“Tout un monde lointain…” Concerto for Cello and Orchestra (1970)

SERGEY RACHMANINOV

Symphony No. 3 in A-Minor Op. 44 (1935)

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